Meira

This is so much happier than any of my other work- quite the rarity!

Tanya Dakin

This is an old one, from back when it was so easy to shoot at Eastern State Penitentiary. You could just wander around and shoot anywhere you wanted, and no one bothered you. Now it's impossible to do nudes there, and they confine you to one place. Thinking about it is like a golden period that you wish you could revisit...

Key

This is the combination of texture & lighting that I've been searching for and wish to pursue. Hopefully most models will not mind the scratching and resulting welts, not to mention bruises that are necessary for it. Most already show up with interesting bruises and bite marks already. I've always employed fans (in winter, preferably) to achieve a tightness of skin and goosebumps- most do not particularly care for that, but suffer through it- for the art. Of all the ways that I can think of to torture people, apparently fans in my cold warehouse studio are the most evil. In fact, just last week was the first person who said that they actually enjoy being cold and getting goosebumps. Ironically, I think that the scratching and bruising are going to go over much better than the fans in winter...

Lady Lazurus

"Billions of photos are shot every year, and about the toughest thing a photographer can do is invent an original, deeply personal, instantly recognizable visual style" ~Jerry Saltz

Natalie

Milk. It does a body good.

Jezz

The following quote is from a NY Times article that I read recently:
"No organ is more promiscuous than the eye, and no appetite more insatiable than the hunger to look. These truths go a long way toward explaining the preoccupations of a culture whose interest in imagery is defining."
I could easily have a lot to say about what I feel regarding this quote. It is probably best to just leave it here on it's own, though, since the reason I like it so much is that it sums up many vague thoughts that I have- and so well in just a couple of sentences...

Li & Carl

Photographing Li and Carl was one of the first really explicit girl/guy shoots that I've done, and it is still one the the most intense. While I've since done shoots that are perhaps more explicit, this set the benchmark for me on the type of intensity that I'm looking for lately. I often give a little direction as to what I think will work before shooting, but I don't recall saying anything to them before shooting- I just picked up the camera and started looking for angles. Well, I guess that I sometimes tend to perhaps make doing these shoots sound simpler than it is. I am constantly moving lights around. I'm also constantly thinking of making sure that these images are raw and uncensored, while striving to be anti-porn at the same time. Not that I have anything against porn, but it is what it is- it's a definitive formula for a practical use. I'm always trying to go against the formula and beyond to rise above and create something more genuine, to let people see more possibilities in sexual imagery. There are plenty of amateur photographers trying to pass off what is essentially porn as fine art- especially with the advent of digital cameras. One can even walk into an art gallery and see erotic work that is essentially, or basically, porn being poorly passed off as art. I want to get a visceral reaction from viewers, change perceptions, or ultimately have someone say that my images are like nothing that they've seen before...

Jade Vixen

Jade Vixen is a very well known fetish model, who is also an old and dear friend. Some of my most memorable images were created with her, although they have usually been fashion or vintage looking images rather than raw and erotic. There are several good reasons for this, despite that she has a very edgy and uninhibited persona. For one thing, she typically tends to be in control and dominant (or wants to portray that in her images), whereas my erotic images tend to portray a submissive with some wild abandon. She also has an exquisite collection of latex and vintage clothes- so we've usually gravitated towards showing them off.

Sylvia

I've been doing different versions of this shot for as long as I've been shooting, which is about 25 years now. It usually does not work, as hands on the face photographs typically look either stiff, forced or fake. Often, they're absolutely painful to look at. I always think of the hand on the face scene in Napoleon Dynamite! What makes it work are the hands and their owner- the combination of photogenic hands and someone who knows how to bring them to life. Hands can be just as expressive as facial expressions. Hell, they can be even more so- think how much sign language can convey. Human hands can paint the Sistine Chapel, pluck a guitar, maneuver surgical instruments, chisel a David, forge steel, and write poetry. They can grasp, scratch, poke, punch, feel, sense, evaluate, hold and mold the world around us. No other species has appendages with such a remarkable range of capabilities. And yet I can count on one hand how many people out of everyone that I've photographed have amazed me with their hands...

Miera

Bettie Page tribute. Deviating a little bit from my own style to create a more authentically vintage look. Actually all that I did differently than usual was add some scratches and some vignetting on the edges, but it works.

Lauren

Any photographer who says he’s not a voyeur is either stupid or a liar.  ~Helmut Newton

Holly

Which of my photographs is my favorite? The one I’m going to take tomorrow. ~Imogen Cunningham

On posing...

I don't like when models pose. When I see a model start to pose, I have to start on my whole spiel about how I don't want them to pose for me. While a seasoned poser can lend themselves to a great image, usually it's just simply superficial & soulless at best, and cheesy & fake at worst. It's easy for me to get what I'm looking for out of a neophyte, but an experienced model can be a different story. Kitty (second image down) was one of those who was apprehensive at first to my demands to just keep moving without stopping to think about it, but she quickly came around- by the end she said that it was the most interesting and refreshing shoot that she had ever done. Indeed, movement and spontaneity are the most important elements to my more recent style of shooting...

M & S

It’s not what you look at that matters, it’s what you see. ~ Henry David Thoreau

Holly

"A photograph is a secret about a secret. The more you it tells you, the less you know."

~Diane Arbus

Devorah

It makes me happy when I can incorporate movement and have it come across effectively. It's more difficult than it seems, at least for me. It's something that I wanted to capture for as long as I've been shooting, but it's only recently that I've been achieving it.

Lady Lazarus

There's something about this that moves me, but I can't quite put my finger on it. It looks different than anything else I've shot. Perhaps because I don't shoot backsides often, or at least not well. Perhaps it's that the figure appears to be floating, due to the angle and the lighting- it just seems a bit weird...

Percolate

When someone hires me for a boudoir shoot they typically tend to gravitate towards imagery that is more glamorous, which is fine- I can understand that. Often they see some of my work that is more edgy and raw, and they ask to go in that direction. Invariably, though, I notice that women hiring me tend to steer clear of rope bondage. These two images, though, very often get a very positive reaction- "Oh I want to try that!".  From my point of view, it's really the same thing as the rope bondage- but the lace instead of rope somehow makes it much more elegant and refined. I can't help to be amused at the fact that there is such a fine psychological line between the lace and the rope. Rope= scary, but lace= classy.

Untitled

This is a very early photograph of mine, yet it is also a very personal favorite out of everything I've ever taken. It was an unusual paid shoot- a strip club owner hired me to take pictures of the girls to hang on the walls. It was not a big mainstream club like some on Delaware Avenue, though- it was a small seedy place in a less than safe part of town. A limo came and picked me up and took me there- an important detail, since there was no way I would just find and/or walk into a place like this. I was the only white person there, but instead of being out of place, I was treated royally due to the fact that I was the "Photographer". I spent hours walking around shooting anything and everything in this den of iniquity- seriously, it was much more raunchy than your typical go-go bar. I had an idea to make a sort of studio set up in the back, where I did some more formal portraits- and this was one of the results. I think that it has a very timeless appeal. It could have been shot in the Cotton Club in the 30's, but it also conjures up the 70's Superfly era at the same time- whereas it was actually shot in 1993 in the heart of West Philadelphia. What makes this image for me is the combination of her jovial smile and the complete pathos in his eyes- youthful beauty paired with weathered age.

Grace

I first met Grace when she just turned 18, and she had already been collecting vintage lingerie and dresses for quite a while. She would buy it on ebay- often wear it for a shoot, re-sell and buy some more. It really threw me that someone so young would have such exquisite and refined tastes. She is also one of my favorite artists that I know- she was already doing very strange and genuinely original paintings in high school. In fact, her style has not really changed that much- and that's a good thing. Grace is one of my favorite models to shoot with.

Katy

She is the bee's knees. Get it? Sam Goody got it.

Isabella

Lovely details, such as the little bit of dress.

Sonia

Wonderful soul to the eyes in these- something that I've always tried to achieve, but it's much easier said than done...

Izzy

More Izzy, except that this shot is in a warm shower, rather than a cold January outside on the roof.

Izzy

Shot in January- about 20 degrees outside. Izzy had just boots on, nothing else, for about a half an hour. That's what I 'd call a trooper- boots or no boots.

Sydney

I really believe there are things nobody would see if I didn't photograph them.   ~Diane Arbus

Kati

I wanted to do something like it was out of a vintage bondage magazine. You've read some of those, right?

Lola

Nice film noir feel to these.

Izzy & Dessa

Revisiting an older shoot, but presenting newer images. I've been doing a lot of that lately- I've been a photographer for over twenty years now, which means that I'm now sitting on a huge body of work. Most of the film I've already well picked through, scanned, et cetera. Digital is a whole other beast, though. I tend to shoot much more- because you can. Consequently, there are so many images that eventually get forgotten about. I have to say that it's a treat to discover there are these gems that you didn't realize you even had!

Crystal

Smoke & Mirrors.

M

This image is from a shoot with a woman who was involved in a horrific car accident a few years ago. I initially met with her right before the last major operation of her recovery, and then I did a shoot with her a few weeks later. She wanted to both document herself, as well as feel good about herself with some glamorous images. I have to admit that I was initially apprehensive, since I hadn't actually seen her scars at first and I had to wait a few weeks. In the end both of us were very happy with the results. I did get some pretty shots, which actually wasn't difficult- she has a nice body and a attractive face, which amazingly was untouched in the accident. This image here, though, is the one that I thought is one of my most powerful images. It seems to really affect people who see it, as well as myself. On a side note, I did two versions of this image for her- one with the scars retouched out, and one with no retouching. I think that the untouched version is all around a better image, and I was happy to hear that she felt that way too.

Di

The moments of undressing are wonderful to catch, but you have to be quick. I try to catch these moments often, but usually they don't look nearly as interesting as they seemed shooting them. Every once in a while I get something exquisite...

Devorah

I've been playing around with versions of this shot for years now. It often does not work out the way that I want- timing is everything. I like this one.

Helen

This one has a nice realness (even rawness) to it, while still being somewhat glamourous- a balance that I'm always trying to aim for.

Daniella

Daniella hails from Austin, Texas. This is from a shoot was on a day that she was passing through in travels. A short shoot, but I love this window image, which figures in the window series. The window series is a large body of work that always features one of the windows of my 2nd floor studio. I hadn't cleaned the windows on the 2nd floor for ten years (as well as toys that have sat on the sills), so they had developed a wonderful patina.

Meira

These are some out takes from a shoot with Meira, for her paysite. Of course the images used for the set of 40 pics look completely different- pretty much formula soft core porn, in color. The lighting was even and straightforward, and I only employed my film noir lighting for the more interesting shots. I'm not very fond of doing sets because the post production is very time consuming, despite the fact that I try to rip through it. The typical porn producer would consider my "ripping through it" extremely time consuming. I need to work on letting go and just setting some auto levels to each image. I don't know how to be a hack. There are many days when I wish I could be. I do have to admit, however, that it's a blast shooting these sets! Porn formula is so easy. I don't even have to think about it. I just shoot and have fun. In my personal work I need to be so intensely focused- constantly moving lights, looking for the right angle, checking the camera parameters, et cetera. In the work that I post here, I'm always trying so hard to come up with something that is on a different level. I tend to forget that, perhaps, I should be enjoying these shoots more. I just saw your eyes roll... I'm serious, though. As Ming-Ming always says on Wonder Pets, "this is Seer-wious!!"

Adrian Louise

Sweat.

Jena

I don't post very many straightforward (my idea of straightforward) portraits here, but this one has been on my mind lately. Nothing much going on in this one except that intense stare, which attests to a credo that I've always tried to adhere to- less is more.