Saturday, March 17, 2018


A photoshoot, for me, is having a nice day with someone who intrigues me. Ultimately, it's nothing more than that. Creating something is the extra bonus, not the sole goal. Contrary to what it may look like here, I'm usually not looking for perfect bodies or faces. I'm looking for people that share my passion for genuinely artistic photography... people someone else might call "strange or different", people who are still discovering themselves. I don't really care about how much experience you have— some of the women in the photos have a lot of experience and some posed for the first time, and often somewhere in-between. Ironically, someone who is inexperienced offers me an awkwardness that can come across as a nice tension rather than representing an easy superficiality. I typically don't start with an idea or a concept— sometimes I end up with completely different photos then I thought I would. My main objective in the finished work is to always create something special and show something representing the emotions or the interests of the person I work with. This is my mini-manifesto.

Wednesday, March 7, 2018


I've done a lot of maternity portraits over the years— but they are most often paid shoots where I tend to be more concerned with making my subject relaxed & untroubled above anything else. Setsuki is someone that I have shot with before, however, and she is very comfortable in front of the camera. I think she lent a slight eroticism to most of the pregnancy pics we did together. I would not have wanted it to be more than a slight eroticism, though, because that would probably be distasteful. I think that this is just right. Below the pregnancy shot, are a couple from a year earlier— you can really see how the breasts change as well as the belly...

Saturday, February 24, 2018


Keeping on with the gritty. It's sometimes hard to believe that all of my work was so fashion magazine polished, with no imperfections. I still can appreciate that, and I can even still shoot like that— but it's nice that I've loosened up a bit.

Sunday, February 4, 2018

Vox Serene

You can often recognize a photographer by how they compose the edges of their frames, part of a language the makes their images as explicit as a fingerprint.

Tuesday, January 30, 2018


I always try hard to avoid eye candy— a photo that looks fashionably attractive and sophisticated but only has exactly one layer of interest. They look great for about half a second and then there is no reason for your eye to linger any longer. Think of an ad in Vogue Magazine. It's a shame, actually, because photographers who get to that level have usually broken past the "ugly, cluttered, too much crap in your image" level, and their images are often just missing that little extra that is necessary to make it memorable. But if you are a thinking photographer, you soon realize that you need to break free from the "eye candy" genre and start adding substance— without adding too much else. Easier said than done.

Tuesday, January 23, 2018

Sienna Luna

I have to say that it's a really nice bonus of digital photography that I can shoot everything in color and convert to B&W in post processing. After all these years, I still tend to have no idea if something looks better in monochrome or color until I compare the two side by side. Obviously, much of my work fares well in B&W since everything that I post here is. I think that is often true because I think of and use contrast as I shoot. To be honest, though, not everything that I finish makes it here. I typically finish most images in color and then begin the grayscale process. Sometimes an image just looks lame after converting. That may not say much as to the inherent worth of an image, but sometimes it just does work better in color.

Friday, January 19, 2018


This was shot the same day as the previous post (several years ago), but I don't believe that anyone has ever seen this image. File this under forgotten about, but not lost.


This is one of my personal favorites. I was thinking of a Fellini film when I shot it, and it still reminds me of Fellini film as an image. I have to admit that there is not much humor in my work, with the exception of my portfolio of dolls & toys. This one cracks me up, though. That has a lot to do with Izzy, who never takes things too seriously, and is always a blast to work with. btw, she was shaking her tits at pedestrians below, before & after the shot- which was even funnier than the image itself...

Tuesday, January 2, 2018


Why Create? When you’re investing time and money and effort into making something that nobody asked you to do, it’s an inherently wacky thing to do. You're not following the program, you're bucking against it. You’re going to have strange feelings, especially about the indulgence and uselessness of it all. Some days you think that is wrong, and some days you think it couldn't be more right. But then you think, I’m going to stay with it— because it’s more interesting than anything else that I could be doing...

Monday, January 1, 2018


Emotions that people feel but can't explain— Opia: The ambiguous intensity of looking someone in the eye, which can feel simultaneously invasive and vulnerable.

Thursday, December 28, 2017


As previously mentioned, the dreads are now gone and Ajaye's hair has grown out— the weight of the dreads was giving her back problems :(

Saturday, November 25, 2017


This is actually unposted from an older shoot— the dreads are gone. We just did a new shoot last week, which I'll be posting some from, to show the difference.