Sunday, September 1, 2019
Smurfasaur
I love photographic prints; I love viewing them; I love making them and I love sharing them. There are certain qualities to a great print that simply cannot be accomplished when the image is viewed on an electronic display (and sometimes vice versa, I should add— color images can greatly benefit from the glow of a screen). It’s well known that photographers have been printing less and less over the years. Part of it is because they don’t need to, and instead, simply distribute images online through communities. This is inherently built into the current crop of younger photographers coming up these days. They understand Polaroids, but they don’t understand labor-intensive prints. They don't understand the point. Of course, not all are of this mentality— but I have definitely noticed that many are. It used to be that prints were the ultimate end process for a photographer. It seems odd that, in an age when the technology to make superb prints in one’s own home or studio is within reach of almost any photographer, so many choose not to. It's so weird to me. Objective qualities aside, it should also be mentioned that the satisfaction of seeing your own print materialize in a development tray or rolling off a printer exactly as you intended it to look, is among the most satisfying experiences that a creative photographer may have. Here is a tangible thing made by you, encapsulating your vision, emotion, and skill; something to present to others with pride and with the knowledge that it is unique and touchable... to keep for the rest of your life, and even (perhaps most importantly) pass on to a future generation.
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