Little One

With the exception of suspensions, I regret spending as much time as I have in the past shooting with a white backdrop. With the suspensions, I feel that it gets rid of the unnecessary distractions, therefore keeping things elegant. I actually tried black backdrops first, but too much information disappeared into them— the white gives everything a nice pop and a sense of depth that black was missing. Otherwise, in retrospect, the white backgrounds feel kind of soulless. They also feel fake, like a fashion shoot— which is what I originally got them for. This one, although one can't really tell, was after a suspension— you can see some rope marks on her legs...