Tuesday, October 17, 2017
I've always been a fan of the extreme low-angle shot— photographed from a camera angle positioned low on the vertical axis, anywhere below the eye line, looking up. Sometimes, it can even as far as from below the subject's feet. Psychologically, the effect of the low-angle shot is that it makes the subject look strong and powerful. The downside is, well, it's a hard shot to get right. It's often not flattering, or looks amateurish. Also, frankly, it's not really comfortable to shoot for long that way. The trick is to keep moving, looking and slightly changing up the angle until you finally see it working. Typically I can never really know if an image is successful until after editing— but with a low angle you usually know it right away, because it will pack a punch. That is the upside.