Sunday, September 1, 2019
Suhanisa
"I'm a big fan of wearing old, vintage slips and stuff as outdoor wear. I got a pair of these little silk bloomers. I think they were even considered underwear in the '40s. I wore them as shorts the other day." ~Zoe Kravitz
Saturday, August 31, 2019
Ajaye
I shot this the week of the 50th anniversary of Woodstock, but I just finished working on it today. I've always been a huge fan of the hippie chick look, but honestly, I rarely find a model that has that perfect vibe & look going on. I guess that I just live in the wrong city— I definitely would find more models like this in Portland. C'est La Vie. Ajaye had really long dreads, but she had to cut them off because they were giving her back problems... then she had a short pixie cut for a while, but now she has long care-free hair. The hair and the peace tattoo, plus that she has the right expressions— she makes for a perfect hippie chick. I have to do more of these before she changes again...
The Kiss by Auguste René Rodin
I shot this at one of my favorite haunts— the Rodin Museum in Philadelphia. The combo of one of my favorite sculptures and great lighting (museum lighting is often too bright & even) made for an easy shot.
Dessa & Jonny
This is actually a few years old, but I've never posted it. It reminds me of The Kiss by Rodin, which I shot recently and will post next...
Sonia & Dessa & Iris
I've shot the "hair in the face shot" so many times that I wouldn't want anybody to count. They usually look too "not quite right", if that makes any sense. That might be just me, for someone else might say that it's nice to see me loosening up... anyway, here's a few that I like.
Christina & Kellie & Donna & Jess
With the exception of suspensions, I regret spending as much time as I have in the past shooting with a white backdrop. With the suspensions, I feel that it gets rid of the unnecessary distractions, therefore keeping things elegant. With some of these, I actually tried black backdrops first, but too much information disappeared into them— the white gives everything a nice pop and a sense of depth that black was missing. Otherwise, in retrospect, the white backgrounds feel kind of soulless. They also feel fake, like a fashion shoot— which is what I originally got those types of backgrounds for. They still represent, for better or for worse, my past work.
Ash
A (very) small window into a cutters world. I've photographed quite a few that have engaged in self-harm. Although I tend to be rather interested in the personal psychology of those that I work with and often ask questions, cutting is something that really bothers me (I can't relate) and I don't typically go there. Just like that my subjects typically look introspective but not depressed— that's not a coincidence. My genuine interest here is aesthetics... I like marks that are thoughtfully carried out while having a rhythm & order. I've seen so many scars that are as chaotic as perhaps the thoughts that made them. I've tried shooting those, but I never pick them in an edit— probably (definitely) because they really bother me. Everybody has different limits as to what they can look at, and while images like this please me, I can understand that it might bother someone else.
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