Ajaye

I am not interested in rules and conventions... photography is not a sport. If I think a picture will look better brilliantly lit, I use lights or even flash. It is the result that counts, no matter how it was achieved.   ~Bill Brandt

Izzy & Dessa

These are older shots that I've re-worked from scratch. There were some details that I think I overworked, and some details that I added which I now think were unnecessary. Sometimes it takes me a few years to realize that I didn't get it right the first time. Actually, it often takes me a few years to realize mistakes, and I rarely get it right the first time.

Sofia & Cammy

Dance is the hidden language of the soul of the body. ~Martha Graham

Lee

There is something about this image that I find delightfully strange. A nice combination of awkwardness, elegance, and tension. It is not posed— posing is something that I've been avoiding for a long time, as I think that it tends to lead to stilted and artificial images. I make my models work, constantly moving and trying to get over self-consciousness. They never seem to mind, since they can appreciate that I am willing to work just as hard. I'd be lying, of course, if I said that I entirely avoid posing— I'm a sucker for a strong image of an obviously professional model working it, which makes things easier for me at the same time. I really do try to avoid it, though. That's when I get images like this...

Suhanisa

Full disclosure: I’ve always been a cropper. Having started with film and spending years developing black and white photos, cropping in the darkroom always felt natural. To me, it also felt necessary to accomplish what I wanted to. This despite being vehemently told otherwise by others— they said that cropping was a cop-out for not being able to get it right in the camera, and it was a form of lying. Of course, that's B.S. All photographs are lies, all photographs are crops. My definition of a photograph is to add edges to the world which has no edges. But, none the less, I had guilt about cropping. I realize now that a “perfect” rectangle or square— pulled back so you see the edges of the negative in the exposed print (to “prove” you haven’t cropped) is basically a parlor trick. Over time I've seen the work of many photographers who don't crop beside the camera— and I honestly feel that while they may sometimes get an image that looks pure and wonderful, usually their compositions in the majority of their work are kind of (if not very much so) seriously lacking. So, yeah, I crop. Not always, sometimes just a little, and sometimes a lot. Sue me. All these years later, I look back with no regrets about it.

Ramonita

If you are a 100% amateur, shooting might be as simple as your photos existing to make yourself happy. Or to preserve memories of your friends, family, and experiences. For a pro, it might be as simple as earning a paycheck— and nothing more. While I've met a couple that is one or the other, the real world tends to have more shades of gray. Most photographers fall somewhere in-between. I think that I've always been right in the middle— in fact, most people might have a hard time telling the difference among images that I've been paid for or not. The truth is that I've often been paid for work that looks very personal or even indulgent. I never really cared, because I (mostly) have not needed to— clients tend to come to me with a trust to let me do my thing because that's what they want. I definitely have always appreciated that...

Ajaye

I've had an avid interest in photography as an art form since childhood— I read National Geographic and Life from my grandparents' subscription and collection (which went back to the mid-50's) since I was as young as I can remember. I suppose that my inherent interest in photography has surely been influenced by that. In fact, there is one NG cover in particular—  Steve McCurry's Afghan Girl from 1985, which is probably the first photographic portrait that had an immediate and lasting effect upon me. I've never forgotten it, and it's most definitely in the back of my mind whenever I'm doing portraits.