Kati Kill

Keeping old negatives, and their digital equivalent (computer files) isn't just a hoarding obsession for me. I look back over both on a regular basis, and I tend to find missed gems more often than not. I've shot so much over the past 30 years that even going through a small portion is time-consuming. It is consistently worth it, though— I'll typically spend an hour looking, and find a couple of nice images. It's like doing a shoot and getting a couple of great shots, but without having to do an actual shoot. I've always realized that something that I like at the moment I may dislike later (sometimes intensely) while something that I might have overlooked I've found to be quite a prize (better than my original picks). This image is actually ten years old, but I just made a finished version of it today. I probably thought that it was too unflattering to the model. That is something that I'm not at all concerned about these days. People that I shoot with now tend to be very aware that if I'm not flattering them, at least it will most likely be a powerful image worth more than just a pretty picture... plus they'll get some pretty ones anyway.

Ramonita

The stroke of death is as a lover's pinch, which hurts and is desired.  ~William Shakespeare
                           

Natalie

I made this look like a Collodion Wet-Plate process, which was an early photographic technique invented by Frederick Scott Archer in 1851. It is a process still practiced today, but I was pretty happy to achieve a digital version of it— despite that,  I would rather be able to achieve it the real way. Another day...

Percolate

I feel as if there is something poetic about this one.

Li

The charm around black and white has a lot to do with the past. The old masters of 19th and 20th-century photography shot in black and white and locked it all into timelessness forever. But one should keep in mind that the practice of black and white in the past was also a product of technical limitation. Photos were taken in black and white up until the 1930's and really often up into the 1970's until color film was technically perfected. Technicolor may have been aesthetically pleasing, but far from technically perfect. From that I believe there is a perception that black and white is history; realistic color is contemporary. Or, if you shoot black and white you are creating; if you shoot color you are documenting. B&W is not more difficult than color with digital. This might be true of film negatives, but not so much with digital. I ask myself, though— historically, why wasn’t there a shitload of black and white painters? If B&W is all about paring things down better than color, why didn't Leonardo try a few B&W paintings? My guess is that he and others were satisfied with drawings to fill that need. That leaves me wondering about if photography had started with color (as painting did), would B&W be considered a gimmick rather than pure? As it is, monochrome has always (for better or for worse) made the photo seem more artistic and genuine than color.