Showing posts sorted by relevance for query heff. Sort by date Show all posts
Showing posts sorted by relevance for query heff. Sort by date Show all posts

Wednesday, June 1, 2011

Heff

I feel as if I'm just starting to figure out how to best utilize my rooftop for getting the shots that I want. The first image is the decrepit wall that gets blasted with greasy exhaust from the Chinese restaurant below. That makes for a great background! The exhaust starts blowing around 4-5pm, so I usually shoot before then. The light is typically best before then, anyway. I love the fire escape in the second shot, but the stuff behind it tends to be too busy. Blowing out the detail- which isn't difficult, since the bars are so graphic & silhouetted, looks wonderfully simple. On the third shot, blowing out detail that is busy but accentuating detail that is textured, seems to work well. Shooting out there with Heff doesn't hurt, either...











Wednesday, June 4, 2014

Heff

Heff is one of my favorite models- her skin has an exquisite and perfect texture, which photographs beautifully.













Monday, February 4, 2019

Meira & Heff

I'm sorry, but all I see in these are triangles. Actually, that is a big theme in my work— triangles are everywhere. Just take a brief scroll down the screen, and you'll probably be annoyingly distracted by how many triangles you come across...









Wednesday, June 27, 2018

Heff

Pepper No. 30 is one of the best-known photographs taken by Edward Weston. It depicts a solitary green pepper in rich black-and-white tones, with strong illumination from above. To me, it always looked like a perfect nude, with a wonderful texture. Many, of course, saw that, as well as many other things (usually sexual). Weston hated these comparisons, despite that nudes were one of his main subjects— he felt that it was just a picture of a pepper. There is even a nude (Nude, 1936), though, of his that perfectly pairs with the pepper image. A couple of years ago I did a nude that I thought was a nice subtle homage to this nude without being a total rip-off. And now, this is what I think is a nice subtle homage to his pepper series...




Saturday, December 7, 2019

Lee Loo La & Heff

"I don't like white paper backgrounds. A woman does not live in front of white paper. She lives on the street, in a motor car, in a hotel room." ~Helmut Newton









Monday, October 9, 2017

Sunday, July 1, 2018

Heff

It makes me happy when I can incorporate movement and have it come across effectively. It's more difficult than it seems, at least for me. It's something that I wanted to capture for as long as I've been shooting, but it's only recently that I've been achieving it.





Saturday, July 30, 2016

Heff

The tight cropping really makes this one— as if she's boxed in and trying to escape the imaginary boundaries of the photograph...





Tuesday, December 29, 2015

Wednesday, June 27, 2018

Heff

This is from a series that kind of look like those old-timey boardwalk photographs— except that they more resemble actual vintage images, rather than being campy or hokey. I find it interesting there is such a fine line between being genuine versus silly. I like the challenge of taking that extra effort to make it work. By the way, I scraped this scene together on a tight budget and have been using it for years now— the rug was $20 from IKEA, backdrops are my usual from fabric row, and the rest came as bits and pieces from Linens n' Things (remember that?). It all fits into an old steamer trunk, and it takes me about 15 minutes to set it up!












Sunday, January 27, 2019

Lee Loo La & Heff

The tar rooftop is really dirty and sticky. Seriously nasty. Not only years of dirt on top of sticky tar from the hot sun, but a Chinatown restaurant exhaust fan constantly blowing even more sticky stuff all over. Pretty disgusting to walk on— shoes are definitely necessary at the very least if doing nudes. The grimy aesthetic is to die for, though! I've never had a problem getting a model to shoot up there, though— it not only looks great, but it's also very private.









Thursday, November 9, 2017

Heff

When it comes to portrait photography, I tend to find myself gravitating towards themes and styles that go beyond straight portraiture. Nothing against the usual posed model shots (actually, I do have something against them...), but portraits that reveal a bit more, that are unguarded or even awkward score more points in my book. This image, however, is not posed or unguarded or awkward or a even a portrait. I just like it.











Tuesday, October 17, 2017

Heff

I've always been a fan of the extreme low-angle shot— photographed from a camera angle positioned low on the vertical axis, anywhere below the eye line, looking up. Sometimes, it can even as far as from below the subject's feet. Psychologically, the effect of the low-angle shot is that it makes the subject look strong and powerful. The downside is, well, it's a hard shot to get right. It's often not flattering or looks amateurish. Also, frankly, it's not really comfortable to shoot for long that way. The trick is to keep moving, looking and slightly changing up the angle until you finally see it working. Typically I can never really know if an image is successful until after editing— but with a low angle, you usually know it right away, because it will pack a punch. That is the upside.








Thursday, September 1, 2011

Heff

I hate good taste. It's the worst thing that could happen to a creative person.

~Helmut Newton




Monday, June 20, 2016

Heff

"Wearing nothing is divine, naked is a state of mind..."  ~ Luscious Jackson





Thursday, May 5, 2016

Heff

I love a point of view like this. To me, it seems to force the viewer into the image and become part of the image. When you shoot from below, typically a subject can make the viewer feel as though the subject is in control of a situation. The simple act of looking up at a subject/object can impart a loss of control or the idea that the object is unobtainable. In this case, since the subject is bound, it throws that notion topsy-turvy— which I think makes for a nice tension.